The design involved an experimentation with typography to complement Christiane Pieper’s dynamic illustrations and Anushka Ravishankar’s nonsensical verse.​​​​​​​
The book was printed on a Risograph, an eco-friendly printing system. While the Riso machine is incredibly creative and economical, it has limitations in terms of paper size and inks, which majorly influenced design decisions during the making of this book.
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